У спільних пошуках національно-культурної ідентичності: Микола Лисенко та Олександр Мишуга

Abstract

У статті розглянуто питання творчої співпраці видатного українського композитора, засновника Музично-драматичної школи Миколи Віталійовича Лисенка та знаного співака, вокального педагога, автора системи постановки голосу Олександра Пилиповича Мишуги. Досліджено проблему пошуку видатними митцями шляхів виховання у талановитої молоді ознак національно-культурної ідентичності.

В статье рассматриваются вопросы творческого сотрудничества выдающегося украинского композитора, основателя Музыкально-драматической школы Николая Витальевича Лысенко и известного певца, вокального педагога, автора системы постановки голоса Александра Филипповича Мишуги. Исследованы проблемы поиска знаменитыми музыкантами путей воспитания у талантливой молодежи признаков национально-культурной идентичности.

Article is devoted to creative cooperation of the outstanding Ukrainian composer, founder of Musically-dramatic school Mykola Lysenko and famous singer, vocal teacher, author of system of voice training Aleksander Myshuga. Getting in a gift from the numerous admirers of work in the day of celebration of 35-year of creative activity a handsome sum on acquisition of suburban house, Mykola Lysenko decides to open Ukrainian Musically-dramatic school. Certainly, it was not the decision of one day, in fact, as a son of artist tells, during three decades Mykola Lysenko dreamed about such establishment, where education of future performers would be possible for the national stage, on «folk basis». The son of composer, Ostap, tells: «Plans were much, but to open Ukrainian musical school, it was needed to obtain permission of Ministry of internal affairs, overcome furious resistance of enemies of the Ukrainian culture, find teachers, and, mainly, money was needed, in those times a, powerful lot of money and free money a father had never». And as soon as a necessary sum appeared, to begin long wished business, Mykola Lysenko leases an apartment down street Velyka Pidvalna, № 15, invites the best specialists from instrumental, musically-theoretical and conductor-choral disciplines, prominent singers, actors and figures of dramatic art. After all among professors of the school by all means I wanted to see the glorified tenor, the famous vocal teacher. Later in the letter to Ekaterina’s daughter Mykola Lysenko wrote: «The Myshuga to is torn that in Kiev to lodge, get school of singing. Hi likes Kiev». A period of activity of Aleksander Myshuga on position of professor of singing of Musicallydramatic school Mykola Lysenko was extraordinarily fruitful. A teacher succeeded to bring up the whole galaxy of famous singers and vocal teachers. Among best-known: Maria Grebinetska, Varvara Dolynska-Mychalevych, Lidiya Mrozovska, Anna Pototska, professors of the Kyiv conservatory of P. Tchaikovsky Maria Donets-Tessejr and Mychaylo Mykysha, professor of the Leningrad conservatory Sofia Myrovych and many other. Both teachers were united by aspiration to enrich the Ukrainian scene with own shots, such that are fluent in Ukrainian and are grown up on the best samples of the Ukrainian music, literature and so forth. And consequently also teaching language, unlike many other professors, Lysenko and Myshuga chose Ukrainian. Moreover, Myshuga even had own specially developed Ukrainian vocal terminology. As far as it was dangerously and risky in those historical circumstances, it isn’t difficult to guess. It is difficult to overestimate the importance of a contribution of Mykola Lysenko and Aleksander Myshuga to development of the Ukrainian art. We can only claim that relationship which developed for nearly two tens years, promoted more fruitful both creative, and pedagogical activity, allowed to take a huge step forward in development of the Ukrainian vocal art in particular and the Ukrainian musical culture in general.